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Renovation Diaries

Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds in 1977

The talented musician, one half of the pioneering 1980s synth-pop band Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the team scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He subsequently formed the innovative electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up damage myself significantly," he commented in 2023. "I broke lower vertebrae in my spine and cracked about five ribs and fractured my wrist."

After catching pneumonia and suffering from sepsis, he was put in an medically-induced sleep and stayed in the hospital for half a year.

However, he had been in "high spirits mentally" during the warmer months, as he worked on a new album with Almond, titled Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and so happy with the latest project that we actually completed only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was all set to be such an positive year for him, and I find comfort from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an significant aspect of my life and for the songs you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a band, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Born into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family his caregivers, who altered his first name from Paul to his adopted name, alongside his sibling Susan, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning art. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The duo were an unusual pairing: Ball was the quiet musician, hunched over his synthesizer, while Almond was a charismatic performer, all sparkle and eye-liner; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk perform on a television science show a popular series, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling single of 1981, shifting 21 million copies globally. Together with successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to paved the way for the synth-pop sound of the 1980s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were working on fresh songs until just before Ball's death

Career Highlights

Success had its upsides. "I loved being able to afford my first home, having financial security and travelling, which might seem like a beauty queen," Ball recently shared with a publication.

But it also caused problems. "Sudden riches meant we could purchase substances to relieve the boredom" of press appearances and television shows, Ball explained.

"I know that's a cliché, but it's a truism for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond proceeded to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting record Cruelty Without Beauty.

After a further hiatus, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, that year.

However, they stayed together, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the band's new album as a homage to the New York club scene they frequented while recording their first two albums.

He added that his period in hospital had influenced the group's music.

"I experienced strange recollections when I was in and out of the hospital because I was on morphine," he told a music magazine.
"The new songs are a digital reflection of the sounds in my mind from those days.
"In parallel, it's about the times we got up to in the 80s."

The last versions were finished only days before Ball died. It is due for release in the spring of 2026.

About the author

Tracey Miller

Tech enthusiast and business strategist with over a decade of experience in digital transformation and startup consulting.

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